Tag: The Marvels Project

Supergirl has an appearance by Aquaman, a much younger Aquaman who spends the whole page talking on his clam shell phone. Cute. Jimmy Palmiotti’s doing a much better job making a lighthearted strip with this one than Neil Gaiman is with Metamorpho, whose story is downright routine, and the little retro “extras” are rapidly getting tiresome.

The most interesting bit for me is the opening sequence, in which Dr. Thomas Holloway administers to a dying old man, Matt Hawk, who it turns out was the Two-Gun Kid in the late 19th century. But as long-time Marvel fans know, the Two-Gun Kid got a glimpse of the late 20th century when he spent several months hanging out with Hawkeye and the Avengers in some comics published in the late 70s, so he delivers some prophecy to Dr. Holloway, as well as his own pistols, and it looks like Holloway will use the guns to become a superhero on his own. (It seems that Thomas Holloway is the identity of the future golden age Angel, a character I’m not familiar with at all. But here he’s treated as a human observer, the point-of-view character for the story, and he works very well in that context.)

The first issue is promising, if rather derivative as I said. I don’t know whether The Marvels Project will take place during World War II, or will cover several different eras. Either one could work out. I also wonder what the “project” will be, or if the book’s title will be a misnomer. But Brubaker and Epting are both skilled enough that I’m sure it’ll be readable even if it doesn’t rise above my fears.

And then the series ends.

Gah!

So, Vulcan will presumably be back since he can apparently live through anything, even though as a character he’s far, far past his sell-by date at this point. Black Bolt will presumably be back since, well, he’s a classic Marvel character (if something of a fringe one). The Kree and Shi’ar empires have been battered around yet again, and all things considered nothing has been resolved, really, at all. But a rift in space has been opened up which will play directly into the Guardians of the Galaxy series in coming months, or so it seems.

So, really, this big event is just kicking off some new plot threads without resolving any of the previous ones.

What a waste of time.

Y’know, I really liked Annihilation, which was primarily a Keith Giffen story, and I enjoyed Annihilation Conquest well enough. It was an Abnett/Lanning event, as was War of Kings, but there’s definitely diminishing returns here. War of Kings was not good, and I don’t think I’ll be signing up for any further DnA-driven event series featuring Marvel’s spaceketeers. I’m happy for them to keep writing Nova, but I think this milieu needs some new blood. Or, honestly, no more events for a few years.

John Dusk is a superhero in a US where most heroes are cops, which means they have the full support of the law, but also that they have to behave like cops, with all the regulations that implies. But Dusk starts going over the edge, unable to deal with the fact that criminals get off, and live to commit more crimes. So he starts to kill people who he thinks need to be killed because they either won’t be convicted, or haven’t been before. But since he’s going around the bend, it doesn’t quite stop there, either. At least one critic has compared the character to Dexter.

Gage does a good job of making Dusk seem sympathetic, a professional with good intentions, but who’s simply been squeezed to hard and starts to exercise poor judgment. It’s hard to defend a ‘hero’ who acts this way, though, so I’ll be curious to see how long Dusk remains sympathetic, especially since hie girlfriend is also a cop and will presumably start hunting him down at some point. Roberto Viacava’s art is a little stiff, but still within the bounds of artists working for the third-tier publishers (where DC and Marvel are the first tier, and the major indies like Image and Dark Horse are the second). He’s good a good sense of composition and clean lines, which helps a lot.

Absolution could end up going either way, but the start is promising. I don’t have enough exposure to Gage’s writing to have a sense for which way he’ll take it.