Tag: Heroes

Heroes wrapped up its first season tonight. I still have basically the same criticisms that I had early in its run: It’s very slow, the writing is very inconsistent, and the characters are erratic.

I feel somewhat unhappy with the resolution of the “blowing up New York” storyline. It was never convincing to me that the culprit would be either Sylar (since he obviously had to be stopped somehow) or Peter (why would he lose control of his powers in the first place? And why would he stick around in New York rather than flying away?). But I think the writers backed themselves into a corner there.

The series’ protagonist has always been Hiro, I think, and his arc comes to a satisfying conclusion. His main challenger, Mohinder, spent just about the whole season with almost nothing to do, which is too bad since Sendhil Ramamurthy is one of the stronger actors on the show. But overall the season ended up being rather muddled from a storytelling standpoint, more soap opera than adventure.

So Heroes rates as “okay” television, which – to be honest – puts it ahead of most television. (At least it’s not Yet Another Police Procedural. Heck, even House is basically Yet Another Police Proecedural, in that it’s got exactly the same structure, just with medicine instead of law.) It doesn’t look like NBC will take long to stretch it too thin, as Heroes: Origins is already slated for the fall. Sheesh.

Anyway, now I can spend the summer catching up on Veronica Mars and/or Battlestar Galactica. Although what I really want is to just bludgeon my way through the whole series of Justice League Unlimited. Unfortunately, most of it isn’t available on DVD yet.

People seem really excited about this week’s episode of Heroes, “Five Years Gone”. I enjoyed it too, but I don’t quite get the widespread enthusiasm for it.

(Spoilers for Heroes follow.)

First of all, it’s the sort of episode I wish they’d had, oh, in the fifth or sixth episode. It would have jump-started what was an extremely slow beginning to this series. (At least half of the first six episode seemed superfluous, intended to maintain suspense, while really just making the show boring.) Granted, the Sylar reveal (which was cool) wouldn’t have been possible had the episode occurred that early, but that and other obstacles could have been written around. For instance, Hiro could have made multiple trips to this future, revealing more a little bit each time. (Heck, it would have been better than Hiro and Ando’s tedious adventures in Las Vegas.)

Second – and more importantly – the story in this episode isn’t really new to me. The story is actually a pretty clearly templated on (if not lifted from) “Days of Future Past”, a story from the X-Men comic book series from 1981. This doesn’t really surprise me, since comic book writer Jeph Loeb is a co-executive producer of Heroes, and no doubt creator Tim Kring and many other members of the writers and crew are comic book fans. Both stories feature a dystopian future in which superpowered figures are being oppressed and marginalized due to political reactions in the wake of a superhuman-driven disaster.

The story is substantially similar to the Star Trek: The Next Generation episode “Yesterday’s Enterprise”, too, down to the pyrrhic-victory-in-the-present-but-returning-to-win-a-full-victory-in-the-past conclusion. Someone in Ceej’s entry on “FYG” said he wanted to see the outcome of the fight between Peter and Sylar, but it seemed clear to me that nothing in the future was going to end well for our heroes; probably Peter and Sylar managed to annihilate each other and take out the rest of what was left of New York.

Sheridan’s trip to the future in the Babylon 5 episode “War Without End” also bears some similarities, although the crux of that story is basically different. But my point is that the key elements of “Five Years Gone” are hardly new; the story has its chilling elements, but to me it was basically old-hat.

Heroes is a moderately entertaining series, but I find it frustrating because it’s so slow. Several of the characters frustrate me, too (I wish someone would just smack Mohinder, for instance, and I really hate the Niki/Jessica character). I am glad that the main story will actually conclude this season, and they’ll have a new story next season. A seasonal cliffhanger I think would just make me give up on the show.

Debbi and I have been watching Heroes since its debut, and haven’t missed an episode. We’ve watched it faithfully for one fundamental reason: It airs on Monday, and Monday is the one night of the week when we typically have nothing else planned. By contrast, it didn’t take long to bail on Jericho, since that airs on Wednesdays, which is both comic book night and gaming night.

Heroes features a world in which some humans have developed super powers, and so far it mainly involves the characters finding how in what ways their life has changed as a result. Two characters have learned that in a month New York City will be destroyed in what seems to be a nuclear blast, and the key to preventing this is to save a cheerleader from Texas. (The series’ tag line is “Save the cheerleader, save the world.”) There are several forces working at cross purposes to this, or so it seems, and the main characters themselves are often of mixed or dubious moral character.

The pacing of Heroes is extremely slow, with a great deal of time spent on the characters’ personal problems and foibles rather than moving the overall story along, and since several of the characters are either dull or not very likeable, this means that the feel of the show is one of “Something interesting happens!” followed by 20 minutes of “I wonder if they’re showing poker on ESPN2?”

The individual characters have their own story arcs which cross but rarely directly relate. Here’s how I feel about each of them:

• Claire Bennett (Hayden Panettiere) is the cheerleader, who heals from almost any wound. She spent the first episode documenting on videotape her attempts to kill herself, and then changed her mind – a change in motivation which made no sense at all. Her stepfather is the man in horn-rimmed glasses (Jack Coleman) who is investigating powered individuals, and who was described in one episode’s promo as “the face of evil”, but this week’s promo suggests he’s a more ambiguous figure. Claire’s arc is deadly dull, being mainly a boring little soap opera.
• Hiro Nakamura (Masi Oka) is a Japanese businessman who can teleport and freeze time. He jumped to New York in the future just before the bomb blast, then returned to the present and flew to America with his friend Ando (James Kyson Lee) to try to stop it. Since then they’ve gotten delayed in Las Vegas encountering several other characters. Oka is hands-down the actor who comes out the best in this series, and his character is the most likeable, which does a lot to keep his arc interesting even though it’s been stalled out for several weeks.
• Matt Parkman (Greg Grunberg) is a telepathic policeman who’s having trouble with his marriage. He’s also working with the FBI to investigate a serial killer who seems to have powers (apparently telekinesis). His professional life is interesting, his personal life varies between boring and painful, so his arc is a Jeckyll-and-Hyde one to watch.
• Mohinder Suresh (Sendhil Ramamurthy) is the son of a man who was trying to learn about the powered individuals springing up around the globe. He travels to America from India after his father’s death to find out what he knew. Unlike the others, he has no powers that we know of. Although he’s gotten involved with a woman (Nora Zehetner) working for the horn-rimmed glasses man. When Mohinder is around, the story tends to move forward a little, and he seems like a good guy, and Ramamurthy is an engaging actor, so I am encouraged when he’s on screen.
• Nathan Petrelli (Adrian Pasdar) is a prospective New York Senator who can fly, but who is not interested in using his powers. His wife is paraplegic, and Petrelli is kind of a slimeball, involved with a mobster and cheating on his wife on a trip to Las Vegas. He also treats his brother like crap. I hate him as a person, so when he’s on screen I mostly hope he’ll get his comeuppance.
• Peter Petrelli (Milo Ventimiglia) is Nathan’s brother. Peter thinks he can fly, too, but his actual abilities are somewhat different (I won’t spoil them here). He’s a good guy who is getting involved with the destruction-of-New-York element, but other than a subway encounter with one of the other characters, he hasn’t had a lot to do yet. I’m hopeful, though.
• Niki Sanders (Ali Larter) is a single mother to Micah (Noah Grey-Cabey) whose reflection in the mirror has a mind – and powers – of her own. She lives in Las Vegas and was an Internet stripper before her debt to the mob sent her on the run. Most recently, her husband D.L. (Leonard Roberts) has shown up and taken Micah away. The story around Niki’s powers is interesting, but her personal problems got old really quickly, around the second episode. Overall a net minus.
• Isaac Mendez (Santiago Cabrera) is a painter and drug user who paints pictures of the future, including the destruction of New York. Other than meeting Peter, his story has gone nowhere at all.

You can see the common thread here, right? There’s a lot of soap opera plotting going on and it’s just plain boring. The series feels like it’s stuck in its prologue and can’t manage to get the main plot moving. In retrospect, the first episode seems almost entirely redundant. When I think back over the episodes to date, it seems like there’s a lot more motion than progress, and it feels like a series badly in need of editing down to fewer episodes.

The series bend over backward to portray the characters as flawed but not evil, but the writing doesn’t feel consistent. It feels like the writers want us to be able to root for any of the characters, but also not to be able to see what’s coming. Consequently, several characters feel like they’re being pulled in different directions for no good reason; the characterization often feels made-to-order rather than natural.

To me, what drives the interesting bits of Heroes is a set of questions: Who is Claire’s father, and what’s he doing? Who is the killer the cop is tracking? Who’s going to blow up New York, and why? And, of course, why are people developing super powers?

So my fear for this show is that it’s going to fall into the trap of The X-Files and Smallville and (I hear) Lost of not really resolving things. If most of the questions in the preceding paragraph aren’t satisfactorily resolved this season, then I’ll know that the show isn’t serious about telling a story, but just wants to string us along. I bailed on The X-Files in its third season when I realized it wasn’t serious about going anywhere. A series with ongoing storylines needs to deliver a payoff in a timely manner or else it just feels like a cynical effort on the part of the producers and writers: “Keep watching, because something might happen at any minute!”

Overall, I feel that the series isn’t very original from a comic book superhero standpoint, and not very lively from a character drama standpoint. It has the potential to be a good series, but it needs to live up to that potential sometime soon, or I’m going to lose interest, even if it does air on Mondays.

Another view: Scott Marshall