Category: Reviews

Every year I think, “I didn’t really start reading a lot of webcomics this year”, and every year I’m surprised by how many I did start reading. This year is no exception, and includes one of the comics I’ve had the most fun catching up on from the beginning (The Bright Side), and one which I most look forward to reading new installments every day (Demon), and a whole bunch of others besides. I also recommend Alice Grove, The Specialists, and Sufficiently Remarkable.

As usual I’m just going to write a short piece for each one, and encourage you to check out the strips themselves if they sound interesting.

Entries for past years can be found here: 2009, 2010, 2011, 2012, 2013.

• Alice and the Nightmare, by Michelle Krivanek: Alice in Wonderland-inspired fantasy about a woman named Alice living in a stratified society and not being comfortable with the callous attitude her peers display towards lower class citizens. Only one or two chapters have been published before it went on hiatus in August, and it’s not yet clear to me what the “nightmare” is. Might appeal to fans of Ava’s Demon or Blindsprings.
• Alice Grove, by Jeph Jacques: Known for Questionable Content, one of the most popular webcomics around, Jeph Jacques launched Alice Grove this fall. It’s a long-form science fiction piece in which an alien falls to Earth in, well, a grove tended by a woman named Alice. Alice seems to be the protector of a local town, and recently took down a visitor sporting some serious nanotech. That’s all the know so far. The strip pushes Jacques’ art skills farther than QC generally does (which I bet is part of the reason he started it) and they’re taking a little while to catch up. On the bright side it features some of his whimsical humor. Overall I’m looking forward to seeing where it goes next year.
• Bird Boy, by Annie Szabla: Fantasy story about a 10-year-old boy who strays from his tribe and gets caught up in the goings-on of powerful beings who do not have the best interest of humans at heart. The story follows our hero on his mostly-solitary adventures which sometimes threaten to overwhelm him not just physically but emotionally. Szabla knocks the art out of the park, though the story is not bowling me over so far. I’m still in wait-and-see mode with this one.
• Boulet: Boulet is a french cartoonist, and he publishes here strips of greatly varying length. I discovered him because his strip “Kingdoms Lost” got spotlighted, and it’s a terrific story of a warrior and princess who get ousted from their universe and have different outlooks on going back. More cynically there’s “Jurassic Park: Realistic Version”. A new Boulet page usually requires a little time commitment to read, and not every strip grabs me, but it’s good stuff overall.
• The Bright Side, by Amber Francis: I devoured the extensive archives of this strip in less than a week – it’s really, really good. Emily is a girl who saw the personification of Death when her mother died when she was young. She met him again as a high schooler, and they became friends. He’s immortal and can travel through time (he kinda has to in order to do his job of reaping everyone who dies), but he’s a nice guy despite his unique vantage point, even a bit naive since he hasn’t had the human life experience himself. The strip is mostly about them discussing the nature of life and existence, which might sound tedious but once the strip found its legs it actually stays quite interesting. Also thoughtful, touching, and funny.

  Time is slowly passing in the strip (maybe a year or two since it started?), so there is gradual progress. For example, Em recently learned the truth about her father, and has gone to visit him and his family. I don’t know whether Francis has an ultimate direction or goal for the strip (there have been a few hints that she does, but they’re ambiguous enough that it needn’t play out that way). I kind of hope she does, but it doesn’t need to come any time soon.

  The art starts out rough and gradually tightens up, though the style stays sketchy. It’s very expressive, though, which is necessary since there are a lot of subtle things that happen along the way, so the range of facial expressions is invaluable.

  Highly recommended. Honestly given its extensive archive I can’t believe I haven’t heard of it before this year.

• Cardboard Crack, by Magic Addict: Gag-a-day strips for people who play Magic: The Gathering, and probably of limited interest to anyone else. The art is very simplistic, somewhere south of xkcd quality, but the artist clearly understands Magic gamers and their foibles.
• Demon, by Jason Shiga: Shiga is an independent comics artist who’s been around a while, but I discovered him through this strip (and then promptly bought most of his catalog at APE this fall). The protagonist, Jimmy, attempts suicide in a strip motel in the first chapter – and wakes up back in the same room. He repeats this several times before he learns what’s going on – and then things get really weird. The reveal at the end of the first chapter is awesome, and the story has had several twists and turns since then, and continues to get more involved and tense. Shiga also brings his trademark cool, analytical approach to explaining how things work in the story. Shiga’s art has a distinct, recognizable style, although his geometric-shape figures sometimes feel a little stiff, but they never really get in the way of telling the story. Demon pages go up 5 days a week and they’re usually one of my first reads each day.
• Dicebox, by Jenn Manley Lee: A high-profile science fiction webcomic following the exploits of Molly and Griffen, friends and lovers travelling around known space and working various odd jobs. It’s strongly character-driven, mainly around Griffen’s idiosyncrasies and complicated back story. The art is complex and gorgeous, but I often feel like the story is not really for me: It feels like it’s a lot of running around and talking, but that the story is largely in the background and is progressing very slowly. I also feel that, despite all the talking, the characters are not very strong – Griffen is really the only one who seems distinct. There are some dryly entertaining moments, but it’s not one of my favorites.
• Dorkly, by Andrew Bridgman and others: Geek humor, broadly told and hilariously illustrated. Dorkly is a geek clickbait site, but the comics are amusing.
• Fowl Language Comics, by Brian Gordon: One- and two-panel observations of the world, full of sarcasm and smartassery. Be sure to read the bonus panel for each strip.
• The Fox Sister, by Christina & Jayd Aït-Kaci: A modern urban fantasy story taking place in South Korea (well, actually it takes place in the 1960s, but that’s “modern” by fantasy standards). Yun Hee is a young woman whose older sister died years earlier. Alex, a visiting American, gets interested in her, and gets caught in a struggle involving an evil spirit and possession. Things moved right along for a while, but updates have been infrequent lately, making it harder to follow. It’s worth reading through the archives, though.
• Happle Tea, by Scott Maynard: Gag-a-day strip focusing on making fun of (mainly) religion, though also pop culture and the supernatural. Oddly most of the jokes involve defunct religions (e.g., Greek or Norse mythology), which I think is less satisfying than skewering contemporary religion. It doesn’t really have an ongoing narrative so you can jump in anywhere. Good art, though the jokes are usually verbal rather than visual.
• LeveL, by Nate Swinehart: This one baffles me a bit. Science fiction in a multi-sectored metropolis, in which a young man named Cael was involved in some sort of disaster, and lives under house arrest for three years thereafter. We also see what happens when a sector gets closed down. But it feels like this is all the very early stages of a much longer story, and it’s not at all clear where it’s going.
• Lovecraft is Missing, by Larry Latham: A long-form horror strip which has been running for several years: In the 1920s, the writer H.P. Lovecraft disappears, and some friends and acquaintances investigate what happened, naturally finding that many things he wrote about are real. The story plods at times (much like Lovecraft’s own work), but it’s pretty good. The real downside is that writer/artist Latham was diagnosed with cancer, had to stop drawing, hired a new artist – and then passed away this fall. So it’s not clear whether the strip will get finished.
• M.F.K., by Nilah: Abbie, a teen girl carrying her mother’s ashes, ends up in a desert village. She also reveals herself to be a telekinetic – unregistered – when a band other other such folks wanders in to terrorize the town. There’s some good stuff here – the art, for instance, and the showdown between Abbie and the others – though the story is on the slow side. No, I haven’t yet figured out what “M.F.K.” stands for.
• Monster Soup, by Julie Devin: I can’t really summarize it better than the artist does on the site: “A zombie, witch, ghost, werewolf, and a vampire are sentenced to live in a castle. Unbeknownst to them, they all share the same incompetent lawyer and judge who seemed intent on sending them to the same castle.” The five convicts don’t always get along very well, and the castle has secrets which are dangerous even to them. Art is decent, seems influenced by a mix of manga and video games, neither of which has any special appeal to me. It’s been on hiatus since September.
• Next Town Over, by Erin Mehlos: A fantasy western in which shadowy bounty hunter, Vane Black, chases an unscrupulous rogue, John Henry Hunter, through a variety of small towns, the pair wreaking havoc along the way. Neither of the characters is particularly admirable or relatable, and the stories are little more than a series of set-pieces or mayhem and escapades. The art is very good, but after 7 chapters it feels like there’s not really a lot to bite into here.
• Opportunities, by ML Snook & Katie DeGelder: This is a comic I feel I should like a lot more than I do, inasmuch as it’s pretty serious SF stuff involving aliens and humans interacting in the present day in a single spaceport, where a murder occurs. The art is not very sophisticated, but it’s good enough, especially in rendering the backdrop of the grand hotel where events take place. But the cast is sizable, not especially developed, and the story seems to mainly just be characters running around with few notable developments. So I’ve found it hard to get invested in what’s going on, though of course it’s always possible that I haven’t paid close enough attention.
• Scandinavia and the World, by Humon: Humorous strip featuring personifications of various nations (the Scandinavian ones, of course, and some others) and the way they view each others’ peculiarities. The art is on the adorable side, which is a funny contrast to some of the subject matter.
• Sfeer Theory, by Alex Singer & Jayd Aït-Kaci: Fantasy-adventure in a world resembling, perhaps, 18th or early 19th century Europe in which those who master Sfeer Theory can control physical objects. Valentino is a young man with an unusual mastery of these skills, but who has low social status. Also, his kingdom of Warassa is wrapping up a war with a neighbor. Lots of interesting stuff here, but seems to update irregularly. Also, it doesn’t have an RSS feed, which makes it very difficult to keep up with.
• The Specialists, by Al Fukalek & Shawn Gustafson: It’s World War II and the Nazis have developed superhumans. The Americans are trying to do the same, but it’s not going very well. The Specialists are the team of superhumans they have so far, and most of the government regards them as something of a joke. The premise is similar to Kieron Gillen’s comic book Ãœber, but it’s less grim and desperate, with a little more humor. Fukalek’s art is a bit on the rough side, but it gets stronger as the story goes along. The story took a while to get going, but it’s paying off: The team is currently in the midst of their first battlefield test, which has brought several things to a head. Overall a strong strip.
• Spindrift, by Elsa Kroese & Charlotte E. English: High fantasy with different species (some with wings, some with horns), class warfare, cross-species children, family responsibilities, and cultural burdens. Not exactly my sort of thing, and my interest has flagged since updates fell to once every three weeks. The art is attractive, though.
• Stonebreaker, by Peter Wartman: I bought Wartman’s graphic novel Over the Wall some months ago (it’s also available online here), and Stonebreaker is billed as a sequel to it. A girl enters an ancient abandoned city searching for her brother and encounters the demons that live there. It’s still spinning up, it feels like. Nice black-and-white art, especially the details in the background.
• Sufficiently Remarkable, by Maki Naro: Here’s a comic I enjoy more than I expected to: A couple of roommates, Riti and Meg, working through life in New York. Riti is a dreamer who’s constantly bogged down in the mundanity of every-day life, while Meg is a free spirit with little sense of responsibility. The writing could be tightened up a bit as sometimes the story feels a bit aimless, but some of the escapades are funny. The art reminds me a bit of that from Lilo and Stitch.
• Supercakes, by Kat Layh: A series of vignettes about a pair of superhero girlfriends. Updates irregularly (last update was in August), but some fun character bits: A quiet morning, meeting family at the holidays, and a winter adventure against ice giants. Really strong artwork. Looking forward to more, when it arrives.
• Trekker, by Ron Randall: Trekker was published as a series of comics back in the 80s, and a new chapter was printed recently in Dark Horse Presents. Ron Randall has all of that material available to read here, along with new chapters. Mercy St. Clair is a “Trekker”, essentially a bounty hunter working on future Earth to capture criminals the law can’t keep up with. Though she looks younger, there’s a developing thread of her being older and her body starting to break down on her, though she’s still one of the best in the business. More adventure than hard science fiction or noir, it’s a fun read for fans of that genre. Randall is also a terrific artist so the pages look great, and while Mercy is an attractive woman, there’s not a lot of cheesecake in the strip.
• Unearth, by Mathew Van Dinter: Boy, I am not sure what to make of this strip. Steampunk fantasy in which – eventually – the characters will be burrowing into the Earth, I think, but so far it’s been an extensive set-up largely involving comedies of manners (especially poor manners). The artwork is very quirky, the poses having a weird mix of stiff and expressive. It seems like it has a lot of promise, but it’s taking a long time to get to it.
• Utopia City, by Ron Gravelle: Aeons ago, space gods fought among themselves and eventually called a truce. Today, they empower proxies to fight their battles for them, but in Utopia City one man is working to defeat their minions and ultimately stop the gods themselves. A Kirby-esque pulp superhero yarn told in realistic black-and-white illustrations, it’s loud, hard-hitting, and not at all subtle, it frankly feels decidedly retro in the modern day. The art is good, if somewhat lacking in dynamism. The story hasn’t really grabbed me yet, as it’s light on characterization.
• Witchy, by Ariel Ries: A fantasy ina kingdom of witches where the strength of your magic is determined by the length of your hair – but if it’s too long, you’re judged an enemy of the state are executed. Our heroine Nyneve had her father killed in that way when she was small, and now a teenager she hides the length of her hair to save herself from the same fate. But the day of being tested for entry into the Witch Guard is coming. The story is still in its prologue, building to its first major dramatic turning point, but it’s pretty good so far. The art is on the simple side – not many backgrounds, for instance – but it has some interesting character designs.

If there’s a common thread I notice when putting together these entries, it’s that long-form dramatic webcomics which don’t update regularly are hard to follow and hard to remember. This is compounded if the story doesn’t have memorable characters (either visually or in personality). Hell, it’s sometimes hard to remember what’s going on in Girl Genius, and it updates three times a week like clockwork. There are a lot of strips like that fighting to distinguish themselves from others, and it’s gotta be hard on the artist if they’ve been toiling away for a year or two and haven’t broken out.

Sometimes I wonder if some strips are too ambitious, so that a year or more of strips still feels like the story is in the prologue. Contrast with ongoing humor strips which often start with a small cast and build them out over time. I wonder whether dramatic strips might do better to take the same approach, especially if they update infrequently.

Still, it’s easy to say all that when you’re not doing your own strip, eh?