Star Trek: Strange New Worlds: Seasons 1 & 2

Star Trek: Strange New Worlds is a spin-off from Star Trek: Discovery, in the second season of which Captain Christopher Pike (Anson Mount) takes command of the Discovery after the Enterprise has been damaged, and it wraps up with the two ships and their crews teaming up to save the day. This series takes place about 7 years before the original Star Trek series and chronicles the adventures adventures of the Enterprise under Pike, who is living with the knowledge that he is destined to be crippled saving several crewmen a few years in the future.

The Enterprise bridge in Strange New Worlds

The elevator pitch for this series is basically, “If you want more of the original series, with better effects and updated for modern social sensibilities, then this is the show for you.” It’s not nearly as good at this – or as good overall – as the Star Trek: Year Five comic book, but it’s enjoyable.

Early on in watching this show I decided to embrace something someone suggested on Twitter: That each Star Trek series takes place in its own continuity, even though it pretends to maintain continuity with the other series. SNW has this quality in spades, with lots of nods to the original series, which don’t stand up to even casual examination. After enough continuity-jarring moments involving Spock or some other character or alien race who appeared in the original series exhibiting very different behavior or characteristics in SNW, it just becomes easier to treat the two shows as being in different continuities.

But once you get there the show is an enjoyable episodic sci-fi romp with a few excellent episodes and a few poor ones. The acting is stronger than usual for a Star Trek show. It still contains all the pseudoscientific nonsense one expects from Star Trek, there’s not much of an ongoing storyline, so it’s hard to get too invested or too disappointed.

Spoilery thoughts after the cut:

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Star Trek: Picard Season 2

The first season of Star Trek: Picard was maybe the best season of Star Trek ever. I adored it so much that I wrote six reviews covering its ten episodes! (If you’re interested, you can start here.) It wobbled a little bit on the landing, but overall it was character-rich, exciting, and thoughtful – all the things that The Next Generation muffed on a regular basis.

I was certainly disappointed to hear that Michael Chabon stepped away from being the showrunner of season 2, but was happy to give it a chance. Unfortunately my disappointment was warranted, as season 2 was a big step down from season 1.

Season 2 featured a lot of Trek fan service, which sometimes worked and sometimes didn’t. It set the early tone for the series as the first episode was packed with views into Picard’s life, his current role in Starfleet, what the other main characters were doing in and around Starfleet, the return of an old friend, and the return of the Borg. But things get turned on their ear when Q shows up and most of the principals from season 1 find themselves in an alternate timeline, and have to return to the 21st century to set things right.

The problem is that the writing was all over the place. As in season 1, each character has their own story arc, but they’re embedded in a tired framework (going back to “the present day” to fix history) with extremely awkward pacing (a lot of running around to set up later payoffs, but the running around gets tedious quickly). Finally, it absolutely does not stick the landing, although the final episode has a few nice bits.

Spoiler-rich commentary after the break:

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Fifty-Three

My birthday was Sunday, the middle day of a long weekend for me, as Apple gives us Martin Luther King Day off.

(Growing up in Massachusetts, we got MLK Day off every year starting – as far as I can find – in 1975. As a result I got my birthday off from school a few extra times. True to form I was completely oblivious about why we got it off. In hindsight it’s pretty spectacular that MA started observing it so early.)

We had a pretty quiet weekend, which frankly was fine with me. We had originally planned to go over to the coast on Saturday, but the volcanic eruption near Tonga triggered a tsunami warning across the west coast, and we decided to bail on that plan. For me, less due to worry about the tsunami – which wasn’t expected to present a danger unless you got too close to the water’s edge – as wanting to avoid idiots flooding (heh) the coast to see the tsunami.

We did watch a whole lot of football, seeing the Patriots and Raiders lose, but the 49ers improbably win against the Cowboys. My feeling about the 2021 Patriots is very similar to the 2021 Red Sox – rebuilding teams that surprisingly made the playoffs, and unsurprisingly lost in the early rounds. And Niners I are in the middle of a “still in contention, but kind of rebuilding too” phase, and I don’t expect them to beat the Packers this weekend.

We also went out to eat three nights in a row (Fri/Sat/Sun), which was nice. All outdoor dining – I think we’ve (still) eaten indoors exactly once since the start of the pandemic – but we hit a few of our favorite restaurants downtown. Sadly my traditional birthday restaurant has apparently suspended outdoor dining for the winter – perhaps a bit short-sighted as we’re in the middle of warm spell, with highs getting into the 60s most days in the last week, and likely to stay warm through the end of the month.

Debbi didn’t have Monday off, so I spent part of the day watching TV. I finished The Expanse, which as a series was okay. Started weak, got better, got exciting when they finally got out of the solar system, but ended with a fairly dull set of in-system politics and combat. (I’m not really into near-future in-system SF, so I was really hoping for a big ramping-up of the sense of wonder once the ring gate opened.) I thought most of the characters were pretty weak – especially nominal protagonist James Holden – so I wasn’t very invested in what happened to many of them. Overall, it was okay, but not something I’m likely to rewatch (unlike Babylon 5 and parts of Battlestar Galactica). I guess it only adapts the first six books, so there are three more they could do if someone else picks it up.

Anyway.

Three years in, my fifties feel like a blur. My face is getting those lines of middle age, with an annoying vertical one between my eyebrows. My knees are getting a little creaky, although they’ve been doing a good job lately where running is concerned. (A little weird to think that they’ve been holding up better through running than they did when I was biking regularly.) On the bright side, I still have all my hair, and most of it is still brown!

But time is starting to pass faster. The pandemic is obviously affecting all of this to a fairly large degree. I’m not a big traveler, but there are a few places I’d like to visit. I haven’t spent as much time with my friends lately as I’d like. It feels like everything is on hold, and is going to keep being on hold indefinitely.

Anyway, it was a good birthday, under the circumstances. I get a little less enthusiastic about my birthday each year, but I do look forward to the day that I can have people over to celebrate it again, someday.

Doctor Who: Flux

Doctor Who’s 13th season was one single 6-episode story titled “Flux”. I expect the three specials slated to air over the next year will be the last hurrah for show runner Chris Chibnall and star Jodie Whittaker as they turn the keys to the kingdom over to returning show runner Russell T. Davies and whomever he chooses as the fourteenth Doctor. Chiball’s run has been mediocre and pretty forgettable to date (see my previous season round-ups). Did Flux change that? Let’s find out what I think, with spoilers, after the cut:

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WandaVision

WandaVision

Ah, WandaVision… such a great start, and then you went careening off the rails, heading down a path you should have avoided. Such wonderful acting, such amazing production quality, but ultimately, a terribly disappointing story.

There was a lot to enjoy about this first major TV series in the Marvel Cinematic Universe (I don’t really count Agents of S.H.I.E.L.D., as it quickly disconnected itself from the MCU and played in its own space), but it could have been much more than it was.

More – with spoilers – after the cut:

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Star Trek: Voyager

As long as I signed up for CBS All Access to watch Star Trek: Picard, something made me decide to watch Star Trek: Voyager. Longtime readers may recall that I was not a fan of The Next Generation, and I only made it through a season and a half of Deep Space Nine before I hit the eject button, as by that time Babylon 5 had sucked all the air out of the room for television science fiction. (It’s still the best SF series I’ve ever seen.) So I had little interest in Voyager when it debuted in 1995.

I think what made me decide to watch it this time was hearing that it had a bunch of time travel episodes, and I’m a sucker for a good time travel episode. Once I decided to watch that many episodes, I figured I’d draw up a list of the supposed best episodes and go through those. I didn’t really have the interest or patience to watch the whole thing, and while I assumed I’d miss out on some nuance of character development over the full 7 seasons, I also figured – based on the other “NuTrek” series between 1987 and 2005 – that characterization would not be the series’ strong suit. If the episodes I came up with ended up being surprisingly great, then I could branch out to some second-tier episodes.

We powered through the 48 episodes on my list (plus one we watched by accident) throughout June and July, and the verdict is: It was okay. Not great. Most episodes were watchable, none were great, none were outright awful. Definitely some disappointments, though. But I doubt I’ll watch any more than this. (It’s over a quarter of the series, which seems sufficient.)

Anyway, spoilers for a 20-year-old TV show in case you care about such things.

Here are the ones we watched, with my grades (on an A-F scale):

  • Caretaker (season 1 episodes 1-2) C+
  • Parallax (S1 E3) C
  • Time and Again (S1 E4) C-
  • Eye of the Needle (S1 E7) B
  • Non Sequitur (S2 E5) D+
  • Deadlock (S2 E21) B-
  • Flashback (S3 E2) C
  • Future’s End (S3 E8-9) D
  • Unity (S3 E17) C+
  • Before and After (S3 E21) B+
  • Worst Case Scenario (S3 E25) D
  • Scorpion (S3 E26, S4 E1) B
  • The Gift (S4 E2) C
  • Year of Hell (S4 E8-9) D
  • Message in a Bottle (S4 E14) B-
  • Hunters (S4 E15) C
  • Prey (S4 E16) C+
  • Living Witness (S4 E23) B
  • Demon (S4 E24) C-
  • One (S4 E25) C
  • Hope and Fear (S4, E26) C
  • Drone (S5 E2) B-
  • In The Flesh (S5 E4) C
  • Timeless (S5 E6) C
  • Dark Frontier (S5 E15-16) B
  • Course: Oblivion (S5 E18) D+
  • The Fight (S5 E19) D (this is the one we watched by accident)
  • Relativity (S5 E23) C+
  • Equinox (S5 E26, S6 E1) C+
  • Survival Instinct (S6 E2) B
  • The Voyager Conspiracy (S6 E9) B-
  • Pathfinder (S6 E10) C-
  • Blink of an Eye (S6 E12) B-
  • Memorial (S6 E14) B-
  • Collective (S6 E16) C
  • Unimatrix Zero (S6 E26, S7 E1) C+
  • Repression (S7 E4) C
  • Shattered (S7 E11) B+
  • The Void (S7 E15) B-
  • Homestead (S7 E23) C-
  • Endgame (S7 E25-26) B

I also erratically live tweeted watching these episodes, and if you care you can read my at-the-moment reactions in this thread.

For those unfamiliar with Voyager, the premise is that the USS Voyager is captured and taken to the Delta Quadrant by an alien called the Caretaker, along with a ship of insurgents from a group called the Maquis. The ships end up stranded there, with casualties on both, and integrate into a single crew on the Voyager, captained by Katherine Janeway (Kate Mulgrew), who makes the Maquis captain Chakotay (Robert Beltran) her first officer. 75,000 light years away from the Federation, it will take them 75 years to get home, through entirely unknown territory.

“Caretaker” appeared on several best-of-the-series lists, and while it wasn’t a bad episode, I figured if it ended up among the ten best of the series then I was going to be glad I didn’t watch the whole series. Having not watched deep (heh) enough into Deep Space Nine I didn’t have any knowledge of the Maquis, but I could take them on principle. So the first half of the episode was mostly based around Tom Paris (Maquis) and Harry Kim (Starfleet ensign), which was enjoyable enough, but once the Doctor showed up, he overshadowed everyone else as a character.

I didn’t have many episodes in the first 3 seasons in my list, and what I did have wasn’t great. Despite being a bit padded, “Eye of the Needle” was the best episode of the first 2 seasons, with a nifty kicker which I wondered whether it would become relevant near the series’ end (it didn’t). “Before and After” was a touching episode which foreshadowed some future events, but unfortunately those didn’t really play out very satisfyingly either. The other time travel episodes were pretty mediocre. “Future’s End” was sort of the centerpiece of these three seasons, I guess, but it was basically another dumb “go back to the 20th century” yarn.

Maybe the best episode of the whole series was “Scorpion”, which introduced Seven of Nine. It was a solid adventure, gripping at times, with a fairly smart interaction between Voyager and the Borg. Species 8472 is (briefly) a breath of fresh air in introducing aliens which look and feel alien compared to the typical Star Trek fare, and it’s just about the only episode of the series which has a genuine “yeah!” moment when Janeway tells Chakotay to execute “scorpion”.

It’s not exactly all downhill from here, but it’s a bumpy ride from here. The biggest change is that Seven of Nine sucks most of the oxygen from the room as far as characterization goes, as she far overshadows almost everyone else in interest and development. Tom Paris had been nominally the point-of-view character (certainly he seemed to be the one with the best mix of practicality and moral compass), but he gets smothered by Seven. I guess there’s a subplot which leads to him and B’Elanna Torres getting married, but Torres was not a very interesting character to me.

The biggest disappointment of the series was “Year of Hell”, touted as the best episode of the show in at least one list, and teased in “Before and After”. It was basically a big waste of time, the dumbest of time travel stories (everything gets reset at the end), with lots of questionable decisions by Janeway and others. I guess it was trying to ramp up the tension and the stakes, but it was all so artificial and manipulative it was hard to take it seriously. And of course it didn’t track with “Before and After” at all.

“Living Witness” was a nice little surprise in the middle of a bunch of otherwise unremarkable episodes, feature the Doctor being revived 700 years later to help set straight what happened when the Voyager encountered a particular planet on their journey. While not an entirely original premise, it was one of the best executed of its type. I certainly enjoyed it more than the maudlin NextGen episode “The Inner Light”.

The biggest disappointment of Voyager was without a doubt the portrayal of Captain Janeway. While I guess they were aiming to show her as less perfect than Kirk or Picard, in a different way from Sisko, she was written very erratically, often headstrong and stubborn and honestly something of a tin dictator at times. “Year of Hell” had some of this, but the peak of Janeway stupidity was “Equinox”, in which the Voyager encountered another Federation ship, the Equinox, which had also been pulled to the Delta Quadrant by the Caretaker and had been trying to get home despite being a short-term research vessel. That ship ended up making some morally reprehensible choices to try to get home, which by the end of the first half left the Voyager in a bad spot. But in the second half Janeway goes around the bend, engaging in her own morally disgusting actions, and everything comes to an end when the Equinox captain has a change of heart for no apparent reason. A great set-up wasted by lousy writing in the second half.

(Several Equinox crew end up joining the Voyager, and I assume are never mentioned again – they weren’t in any of the episodes I watched.)

Though if she was frustrating as a Captain, her interactions with Seven and Chakotay were her high points. I suspect I missed the full nuance of her mentoring Seven to become a functioning human being, but even the glimpses I got were engaging. Jeri Ryan’s portrayal of Seven as imperious and haughty felt a bit off in her debut as a full Borg, but seemed more and more spot-on as Seven’s personality developed. Seven got many excellent moments, disagreeing with Janeway, confronting other Borg, interacting with one of the few children on the ship. She was surely the high point of the season.

Then, Chakotay ended up filling Tom Paris’ role from the first 3 seasons, as the ship’s even keel and moral compass. One of the final season episodes, “Shattered”, was a clever way of revisiting a number of key moments from the series without doing a clip show, but it was Chakotay as the featured character who held it all together, recruiting and convincing a much younger Janeway to help.

One interesting dynamic was Janeway and Chakotay meeting privately, since they were effectively the only people on the ship who were truly equals. They could air their differences, and argue all they wanted, as long as it was behind closed doors where their reports couldn’t see. This was one of those bits where the show almost seemed to understand what it had – a chance to show the power dynamics among Starfleet personnel, especially in a high-stake scenario – but it mostly treated it as an opportunity for NuTrek’s patented irrelevant character moments, showing things the character liked or remembered or experienced without really giving us a reason to care about it.

What about the rest of the cast? Well, in true NuTrek fashion there were just too many characters for all of them to be treated as major characters. The aliens Neelix and Kes were both somewhere between “just there” and outright annoying (though Kes at least got a good story in “Before and After”). Most of the rest just never really grabbed me, either. Torres was the typical “grumpy former rebel”. Paris also kind of filled that role, but with a vaguely self-destructive, sarcastic attitude, but I wish they’d played up a lot more. Ensign Harry Kim seemed like a cousin to Geordi LaForge, especially in that both of them were a little too earnest and a little too underdeveloped. The real missed opportunity was Tuvok, in whom Tim Russ turned in a pretty good Vulcan performance in the style of Leonard Nimoy, but the character himself was quite generic, and could have just been “Vulcan Science Officer #1”.

The only other character that worked for me was the Doctor, as Robert Picardo immediately brought humanity and humor to the role of the ship’s artificially intelligent medical officer. He got several good stories to play off of characters other than the main cast, including off of himself in “Equinox”. He was also the best part of “Blink of an Eye”, which was a fairly routine “this planet is in a faster time frame than our heroes” story elevated primarily by his performance.

Watching Voyager in 2020, it seems like a series of missed opportunities for story and character development: The ship just flits from place to place with no continuity. When the Equinox showed up I wondered just how they were able to make it through the obstacles Voyager had just barely cleared with far fewer resources. Sometimes they’re badly outclassed by the Borg, other times they’re willing to face them directly. The characters change in very small increments, but mostly there’s no character development here. All of this was par for the course for The Next Generation, making Voyager a natural successor to it, but it’s also very much an 80s/90s series with storytelling that seems shallow by today’s standards. It shows just how far ahead of its time Babylon 5 was compared to Star Trek.

The series finale, “Endgame”, is one of the very few episodes I’d seen before. When I did, I was glad I didn’t sit through 7 years of stories just for that. Watching it again, it works to the extent it does largely because of Kate Mulgrew’s performance as Admiral Janeway, who is driven to save her old crew but is also convinced by her old self to try something different. The story ends very abruptly, with no denouement, no winding down of the characters after they make it back to Earth, despite the backstories they’d all built up. It was pretty disappointing, and other than a brief appearance by Janeway in a NextGen film, and Seven appearing in Picard, I don’t think we learn anything about what happened to the others. (I imagine other media covered this, but I don’t care about anything other than what’s shown in TV and movies.)

So am I glad I watched it? Glad enough, I suppose. It wasn’t bad, but it always felt like the really good stuff was right around the corner… right up until the end, when it still felt that way.

Star Trek: Discovery: Seasons 1 & 2

If Picard represented a brave new world of solid storytelling for Star Trek after more than 35 years, Discovery is, well, the same old thing, lightly refurbished to meet modern dramatic television sensibilities. Since I subscribed to CBS All Access to watch Picard, I decided to give Discovery another try, despite the first episode having been so bad that I mocked it live on Twitter.

Overall the show is, well, better than that first episode, but not very good. The first season is very hard going, partly focused around a war with the Klingons, but also spending several episodes in a strange digression. The second season is more coherent and generally improved, but still kind of disappointing. The general feel of the series is one of flamboyant and nonsensical plotting, without much of a message. The characters are generally pretty flat. Overall it feels very much of a piece with NextGen and the later series, albeit with a rougher edge, but that’s not really a good thing.

Lots more – with spoilers – after the cut:

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Doctor Who, Season Twelve

Jodie Whittaker’s second season as the Doctor was an incremental improvement over her first, and while it introduced a big mystery into the Time Lord’s existence, the show seemed reluctant to go all in on that to craft a full story out of it, opting instead to have pieces at the beginning, middle, and end, and otherwise make the season another set of standalone episodes. Much like last season, the stories were enjoyable enough but kind of nondescript and thus forgettable.

And as for that big mystery, well, some of it was carried off quite well, and some of it was not so great. I enjoyed it overall, but it really should have been a lot more than it was, and ultimately while it sets up some interesting stuff for future seasons, if the series continues in this vein I think it’s going to feel more like an afterthought, possibly one thrown away by the next showrunner.

Anyway, if the last five seasons of Doctor Who are the kind of thing you like, then you probably liked this one too.

Spoilers after the cut:

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Star Trek: Picard: Emotional Resonance

“Et in Arcadia Ego” part 2 brought the first season of Picard to a close, and overall I’m quite happy with how it turned out. I think the final episode was a little overstuffed so that not everything was as smooth as I’d hoped. In some cases I think they should have restructured the last three episodes a bit to have some threads get resolved earlier, and in others I think they made some poor storytelling decisions. But the most important thing is that I think they got the emotional resonance of the story right, as there was a lot to cheer about.

For convenience here are links to my earlier reviews of the season:

  1. Remembrance (episode 1)
  2. The End is the Beginning (episodes 2 & 3)
  3. Absolute Candor (episodes 4 & 5)
  4. The Impossible Box (episodes 6, 7 & 8)
  5. Et in Arcadia Ego (episode 9)

Now, on to the spoilers!

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Star Trek: Picard: “Et in Arcadia Ego”

Wo-ow, “Et in Arcadia Ego” part one, the first half of the conclusion to this first season of Star Trek: Picard, was one great hour of television. Past Star Trek series had plenty of visits to idyllic worlds with a dark underbelly, but here we’ve had a season of build-up to visiting the planet of the synthetics, and it doesn’t disappoint.

Google Translate tells me that “Et in Arcadia Ego” means “And in Arcadia I am”, where Arcadia is a poetic term for a utopia, which is certainly appropriate here.

One thing to watch for in this episodes is the spectacular acting by much of the cast; I’m not sure I’ve ever seen such a virtuoso ensemble performance in any episode of Star Trek, where Patrick Stewart might not be delivering the best or even the second-best performance.

I’d originally planned to review the last two episodes together, but this one had enough stuff in it that I decided to cover it separately.

Onwards to the spoilers!

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