Category: Comics

Comic books and comic strips

This Week’s Haul

Comic books I bought the week of 13 December 2006.

It’s taken a long, long time – nearly 20 years – but the Marvel Masterworks hardcover reprints of The Avengers have finally gotten to the good stuff: The volume reprints #51-58 and Annual #2 (as well as X-Men #45, which was part of a crossover story), from way back in 1968 (the year before I was born!). Written by Roy Thomas and pencilled by John Buscema, this set is perhaps best-known for the two issues that introduced The Vision, but to me this volume is important as it contains maybe my favoritest Avengers story every: In #56 the team went back in time to witness the death of Captain America’s partner Bucky, and when they returned to the present – in Annual #2 – they found that time had been changed, and that the original Avengers team had conquered the world and eliminated all the other superpowers people. The likes of Captain America, the Black Panther and Hawkeye had to take on Thor, Iron Man and the Hulk to save the world. Even today, this is great stuff in the superhero genre. (The annual is actually drawn by Don Heck, who – although not a favorite of mine – does some of his best work in it.)

Somehow I missed the second issue of Athena Voltaire, a 1930s-era Indiana Jones-type adventure yarn with a female protagonist. I’ll need to ask my comics shop to order it for me.

The Goon, by Eric Powell, is a weird concoction, part hard-boiled pulp fiction, and part gruesome horror yarn, but mostly it’s all played for humor. The Goon is the head of a local crime mob, and his main opposition is a mob of zombies led by a mysterious evil priest. The Goon is not exactly a good guy (and his sidekick Frankie is always looking out for number one), but sometimes he does the right thing, and sometimes even for the right reason. There’s a lot of blood, gore, and off-color humor, but y’know, I enjoy all that stuff if it’s pulled off well. This isn’t classic comics material, but it’s a fun read, and Powell is a crack artist, reminding me in a roundabout way of both Will Eisner and Mark Schultz. It may not be to your taste, but if you enjoy humor that’s on the sick side, then you’ll like this one.

This Week’s Haul

Comics I bought the week of 6 December 2006.

Okay, really last week’s comics, but still!

  • 52 #31 of 52 (DC)
  • Justice Society of America #1 (DC)
  • NewUniversal #1 (Marvel)
  • Robotika HC (Archaia)
  • New Tales of Old Palomar #1 (Fantagraphics)
  • The All-Star Companion volume 2 (TwoMorrows)

An interesting haul this week, starting with a brutal issue of 52 featuring the last days of Captain Comet – the old one, anyway – and a threat that frightens even the Guardians of the Universe. 52 mainly suffers from meandering all over the place, with still no sign of a coherent story yet, but some bits are quite good. This issue is one of those bits.

Another decade, another revival of the Justice Society of America. Nothing’s quite equalled the 1970s run of All-Star Comics, although Roy Thomas’ All-Star Squadron in the 1980s was very good at times. On the other hand, the recent JSA series won plaudits from critics for its strong characterization, which baffled me since I thought the plotting meandered around without really going anywhere, and the characterization was nonexistent. This new series starts out on a better foot: Writer Geoff Johns is not the superstar that DC seems to think he is (he’s no James Robinson, for instance), but he’s pretty good, and he introduces a number of interesting threads, including several rather messed-up characters such as the new Starman, the revamped Damage, and the overexuberant (I presume) young Red Tornado. Dale Eaglesham’s layouts are good, and he has a good sense of form and motion, but as Johanna Carlson points out, his handling of anatomy is pretty iffy. I also think Art Thibert is not a good match as Eaglesham’s inker. Anyway, it has promise. We’ll see.

(I’m an old JSA fan dating back to that 70s series, so I’m willing to check out new series starring the team, but I also have fairly high standards for them.)

NewUniversal is Warren Ellis’ relaunch of Marvel’s ill-conceived and ill-fated New Universe from the 1980s. A White Event grants several ordinary people superpowers, and changing the world. The original titles had very small ambitions and failed largely because of that. Ellis is probably better-suited to squeezing better stories out of the concepts, and Salvador Larroca is a fine artist, so I’m optimistic that this’ll be a good one.

Robotika collects Alex Sheikman’s series about a far-future world populated by cyborgs in which a mute samurai quests for an invention his mistress desires, and then acts as a bodyguard for some travellers and learns something about himself. Sheikman’s art is pretty nifty, like a cleaner version of Jae Lee. His writing leaves a lot to be desired, though. First, the story doesn’t really go anywhere. Second, he tends to break sentences awkwardly between several thought balloons. Third, one of his characters speaks in sentences written vertically, which is so hard to read it’s not really worth it. Besides all that, I think Sheikman was more interested in creating a cool-looking samurai story, while I was hoping to read a cutting-edge posthumanist science fiction graphic novel, and Robotika just doesn’t measure up to authors like Charles Stross and Alastair Reynolds.

New Tales of Old Palomar is a new magazine-sized series by Gilbert Hernandez, revisiting his fictional Mexican city during the heyday of the original Love and Rockets series. I enjoyed the early run of the Palomar stories the best, and going back to those days is a lot of fun. The story is almost a trifle, but it’s nice to visit old friends.

The All-Star Companion volume two adds more information that didn’t fit in volume one, including an index of All-Star Squadron. The first volume is fun reading for fans of the Justice Society, but this one is definitely too much of a good thing; although the art is pretty, I think this is more than I needed to know. Apparently there will be a volume three, but I think I’ll pass.

Wow, I had a lot to write about this week. I bet next week is lighter!

This Week’s Haul

Comic books purchased the week of 29 November 2006.

  • Aquaman: Sword of Atlantis #46
  • 52 #30 of 52 (DC)
  • Castle Waiting #3 (Fantagraphics)
  • George Perez: Storyteller HC (Dynamic Forces)

One nifty thing about comics today is the wealth of books studying the careers of the great artists, and even better, they often present rare or previously-unpublished work by those artists. A few years back, TwoMorrows printed Modern Masters: George Perez, and now Dynamic Forces has printed George Perez: Storyteller. (I don’t know whether this is the same as this book The Art of George Perez listed on Amazon. The author is the same, but the cover is different.)

I haven’t done more than thumb through this book, but it looks like a pretty nice package: A lot of information about Perez’ early career at Marvel, and his work for publishers like Malibu and Crossgen (both now defunct). Perez is maybe the best artist working in comics today, and certainly on the shortlist for the best ever, so I’m happy for almost any chance to see some more of his work.

Pretty light week otherwise.

R.I.P. Jerry Bails

More bad news: Jerry Bails passed away last week. (How I didn’t hear about this until today, I don’t know.)

Dr. Jerry Bails was perhaps the single individual most responsible for there being a comic book fandom. In the early 1960s, he seemed to be the glue which held together the nascent fandom, in the days when DC was still re-launching many of its golden age characters, and Marvel was so much the new kid on the block that it seemed to be viewed with an innate skepticism by long-time fans. He founded the first comic book fanzine, Alter Ego in 1961, and founded the first comics APA, CAPA-Alpha, in 1964. (I was a member of K-a – as it’s abbreviated – for a year or two in the early 1990s.)

The debt both fans and pros of comic books owe to Bails is probably incalculable, due (if nothing else) to the sheer number of comics fans who became comics pros in the 60s and 70s due to being active in fandom, fanzines, and APAs. While fandom might have formed later without Bails’ efforts, the fact is that he did what he did when he did it, and he gets to claim the credit for those things.

Damn.

Related links:

R.I.P. Dave Cockrum

Sad news: Comic book artist Dave Cockrum has passed away at age 63.

Cockrum was one of the key artists of the “modern age” of comics. First he helped modernize the look of the Legion of Super-Heroes in the early 70s, just before their second peak of popularity when Mike Grell arrived. Many of the Legion’s costumes of the era were designed by Cockrum, and then simplified by later artists since Cockrum tended to festoon his characters’ outfits with myriad dongles and patterns. More significantly, Cockrum co-created the “new” X-Men with writer Len Wein, and illustrated their early adventures for writer Chris Claremont. Again, the X-Men became even more popular when Cockrum left the title to be replaced by John Byrne, but he was instrumental in crafting the look and feel of the series.

Cockrum drew his characters with more, uh, robust physiques than most of the artists who preceded him – although his style bears some similarity to late-60s Jack Kirby – and a dynamism which surely influenced later artists such as George Perez. I always loved his costume designs, and the energy of his layouts and figures. I’m especially fond of his Legion work.

He’d been struggling with diabetes in recent years, and has been one of the old guard of artists who hasn’t gotten much work in the industry lately, which is too bad since I think he still had a lot to contribute, and he was a much better artist than a lot of the Image-influenced artists around today.

Sad news to wrap up the weekend.

Related links:

This Week’s Haul

Comic books purchased the week of 22 November 2006.

  • 52 #29 of 52 (DC)
  • Jack of Fables #5 (DC/Vertigo)
  • Superman/Batman: Absolute Power TPB
  • Wonder Woman #3
  • Red Menace #1 of 6(Wildstorm)
  • Fantastic Four: The End #2 of 6

This week’s 52 has the cover tag: “Last Days of the JSA”. To which I thought, “What, again?” Of course, a new JSA series is due to be launched in a few months, so the story within is about as exciting that that implies.

I’ve been reading the paperback collections of the Superman/Batman series even though they often don’t make a lot of sense. Jeph Loeb’s ideas are often pretty nifty, but he’s not very good at executing them. In Absolute Power, three super-villains from the future come back in time and adopt Superman and Batman as children, and together the five of them eliminate most other heroes and set up Supes and Bats as world dictators. Things then go horribly wrong, leading to a little romp through alternate timelines.

There are plenty of questions left unanswered: The villains have a blind spot where Wonder Woman is concerned, which is odd since she’s both famous and extremely powerful, and this helps lead to their undoing. Also, why would they bother to adopt Batman, who is not powerful and is unlikely to be a significant asset in world domination? And although Loeb tries, playing around with history and with the characters’ memories to the extent he does here is very hard to pull off, and the story doesn’t quite hang together. The art by Carlos Pacheco is very pretty, though, and is almost worth the price all by itself.

The book does end on a high note, though, with Loeb performing a neat connection between Mark Waid and Alex Ross’ Kingdom Come and Alan Moore and Curt Swan’s Whatever Happened to the Man of Tomorrow?. So overall this volume gets a thumbs up (which is more than the last volume, Supergirl, got from me).

The re-relaunch of Wonder Woman is running terribly late. The art by Terry and Rachel Dodson is very pretty, but the story is a huge shrug, as Allan Heinberg doesn’t really have a new spin to put on DC’s prime superheroine.

Red Menace has Jerry Ordway’s always-wonderful artwork to recommend it. The story is by a trio – Danny Bilson, Paul DeMeo and Adam Brody (none of whom I’ve heard of before) – and it’s okay. It concerns a hero being accused by Joe McCarthy’s HUAC in the 1950s, and it’s a promising start, although so far it feels rather by-the-numbers. If the writers manage to pull it off, then this might slide in nicely alongside Astro City. We’ll see.

This Week’s Haul

Comic books purchased week of November 15.

  • Aquaman: Sword of Atlantis #45 (DC)
  • 52 #28 of 52 (DC)
  • Astro City: The Dark Age Book Two #1 of 4 (DC/Wildstorm)
  • Ms. Marvel #9 (Marvel)
  • New Avengers #25 (Marvel)
  • Girls Volume 3: “Survival” (Image)
  • Jack Staff #12 (Image)

Every few years, DC launches another title featuring Aquaman. I think this has been going on since I was in high school (1986), when the pretty nifty Neal Pozner/Craig Hamilton mini-series came out. People gripe about how Aquaman is a lame or contrived character, but DC keeps marketing him, and several of his series have lasted for anywhere from 4 to 7 years, which is a fair sight better than a lot of series last. So there’s some attraction there. The current series is written by Kurt Busiek – a contender for the title of best active comics writer – and illustrated by Butch Guice. The original Aquaman has disappeared, and a young man with the same name and powers has appeared in his place, reluctant to take up the mantle. The story is rather slow, but there’s some interesting intrigue there, and this issue reveals (more or less) that identity of one of the supporting characters, which I had figured out a few issues ago. I understand the series isn’t selling so well, but I’m hoping it will last long enough to wrap up Busiek’s story arc.

And then they can launch the series again, with another creative team. Hey, it’s worked before, right?

Astro City is, in my humble opinion, the best comic book being published today. It’s the best comic of the last ten years, for that matter. Written by Busiek (him again?) and illustrated by Brent Anderson with designs and covers by Alex Ross, it takes place in a superhero-laden universe of Busiek’s concoction, but the stories focus on the characters and their thoughts about and reactions to living in such a world.

The current series is a 12-issue story being told in 3 4-issue “books”, and it takes place during the 1970s, the “dark age” for Astro City’s world. The protagonists are a pair of brothers, Charles and Royals Williams, whose parents were killed in the crossfire of a superhero battle when they were kids. Charles grew up to become a cop, while Royal became a small-time criminal. In the first volume they’ve lived through the conviction for murder of one of the city’s greatest heroes, becomes estranged along the way. Now they’re apparently going to get caught up in an escalating war among the underworld. It’s great stuff, don’t miss it.

Girls is a series by the Luna brothers, who seem to have emerged fully-grown on the comics scene a few years ago. This is the third collection of their current series (volumes one and two are also available), which will reportedly run 4 volumes (24 issues).

Girls does feature a bunch of naked women, but it’s really a straight-up horror story: The small town of Pennystown consists of a small population of people living fairly sleepy lives. One bad evening, a young man named Ethan meets a mystery woman on the road and takes her home. It turns out she has a whole bunch of clone sisters, all of whom seem intent on killing the women of the town, and who are under the control of a mystery entity elsewhere in the town, an entity which has also closed the town off from the outside world.

The series is brutal and graphic, uncompromising in its tension, and it also puts its ideosyncratic characters through the wringer as they try to figure out whether they can trust each other, and get on each other’s skin when put under pressure. The art consists of simple line drawings with very little rendering and plain backgrounds, but on the other hand the characters (other than the Girls) are all distinct and hardly idealized, with a good range of facial expressions. It’s pretty good, but definitely not for everyone. It’s certainly enough of a page-turner to keep me interested in reading volume four.

This Week’s Haul

Fables presents a scenario where the humans would totally conquer the homelands – if only they knew about them, which they would, if the Emperor decided to invade Earth. Pretty neat point-counterpoint stuff.

Eternals is Neil Gaiman’s latest project for Marvel, illustrated by John Romita Jr. It’s a pretty straightforward riff on some obscure Jack Kirby characters: Immortal godlike beings who were left on Earth by even more powerful beings to safeguard it for their return. The Dreaming Celestial is about to awaken, and that might mean Bad Things for Earth.

Rex Mundi takes place in an alternate France in 1933 where the Inquisition holds sway, Islamic nations control the Middle East and North Africa, and magic-using secret societies are real. Julien Sauniére is a doctor in Paris who gets mixed up in a conspiracy when a priest friend of his is killed. The story is on the slow side and the art is a little stiff (if nicely-rendered), but it’s not bad. Good enough for me to try the next volume.

The new volume of Luba continues the stories of Gilbert ‘Beto’ Hernandez’ heroine and her sisters and daughters. Beto’s work peaked in the middle of the first run of Love and Rockets, and has meandered too far into magical realism for my tastes. I do wish he’d tighten up his storytelling and focus on the characters more, in particular not wandering off into the earlier lives of the sisters. The series was more fun when it was more grounded in present-day concerns, with a more linear narrative.

(For those familiar with the series, no, I’m not really a fan of Jaime Hernandez’ work.)